The group has attracted women from all walks of life and from across the Bay Area throughout the years. Among the current members are an emergency room doctor, a teacher, designers and tech employees, who have all formed a tight bond commemorating this special genre. Together they’ve performed all over the U.S., from bars and clubs to street corners and flash mobs at Las Vegas hotels. The troupe’s members were required to audition in order to join, and the group has had about 40 members total throughout its 20-year existence.

“Chicago.” By John Kander, Fred Ebb and Bob Fosse, Hillbarn Theatre, Directed by Nancy Fitzgerald-Metzler, choreography by Jayne Zaban, musical direction by ballerina clipart, ballet clipart, ballerina, girl dancing clipart, ballerinas clipart, ballerina clip art, ballet class, baller Greg “Suds” Sudmeier, 8 p.m, Thursdays-Saturdays, 2 p.m, Sundays, Through Sept, 26, Hillbarn Theatre, 1285 E, Hillsdale Blvd., Foster City, $17-$34, 650-349-6411 or www.hillbarntheatre.org, “Dead Man’s Cell Phone.” Palo Alto Players, Thursdays-Sundays through Sept, 26, Lucie Stern Theatre, 1305 Middlefield Road, Palo Alto, $21-$30, 650-329-0891 or www.paplayers.org..

Instead, Obama followed a different philosophy: Dance with the one that brung ya. Like his predecessor, Obama has rewarded loyalty and surrounded himself with like-minded advisers. This, combined with a Bush-like fetish for secrecy, has left the president in a bubble, struggling to find support in Congress. That’s what makes the Iraq comparison resonate. Although the policies are entirely different, both were unforced errors aggravated by a president’s insularity. Both men failed to hear warnings (about the intelligence and the military plan, in Bush’s case; about problems with the exchanges and the website, in Obama’s), overstated their cases (Bush’s hysteria about Iraq’s nuclear program; Obama’s keep-your-plan promise) and used the other side’s partisanship as an excuse.

LGHS senior Veronica Robb and sophomore Makena Murray are both members of the “trio” of narrators that make “Little Shop of Horrors” an energetic–and entertaining–musical, “Different narrators show different viewpoints,” Veronica said, “One is strong-headed, one is dumb and I’m the peacekeeper.”, Makena added, “We sing the show’s opening, which sets the ballerina clipart, ballet clipart, ballerina, girl dancing clipart, ballerinas clipart, ballerina clip art, ballet class, baller mood–it’s a very danceable song.”, Meantime, Los Gatos High School senior Teenie Noskowski is taking a break from acting and is instead spending her summer working behind the scenes, “I’m working with Guys and Dolls camp, so I’m running dances and choreography,” Teenie said..

Allende’s 21 books have been translated into 35 languages and have sold more than 67 million copies. And yet, she says it took her weeks to finally get back into “the rhythm of writing.” Her new book still has “no shape, not even a working title.” Allende knows one character will be an immigrant and the theme of refugees will appear somehow. “But I know that I’ll have love in some form, because at this moment, when I don’t have love, I want it. I’m not too old to fall in love,” said the 73-year-old Allende, whose 2014 TED talk on living passionately, no matter your age, has been viewed 2.7 million times.